Wednesday, 2 October 2013

Week 1 - Introduction to Outcome 1: When does art become exploitation?

Wim Delvoye


Wim Delvoye, Art Farm Beijng 2003-2010, Live tattooed pigs
http://theculturetrip.com/europe/belgium/articles/wim-delvoye-tattooing-pigs-or-the-art-of-provocation/

Guillermo Vargas
Emaciated: The dog, called Nativity, was found on the streets of Nicaragua and displayed in a gallery. But was it just a publicity stunt?
http://www.dailymail.co.uk/news/article-561815/The-artist-whos-leaving-dog-starve-art.html
Bill Henson


http://charlotteblogsforuni.wordpress.com/2012/10/02/ethics-art-and-politics/

Polixeni Papapetrou
http://www.polixenipapapetrou.net/work.php?cat=Dreamchild_2003&img=4




What is art? What does it/can it look like?
Why do artists make art?
What is contemporary art?
What is exploitation?
Who in our society is most likely to be exploited?
Do ideas of exploitation vary?
How do artists express, challenge ideas in their art?
Should artists pay people to ‘use’ in their art? 


Bring in your answers to next weeks class

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