Wednesday, 2 October 2013

Week 4 - Analytical Frameworks

Remember, you must refer to at least two of the Analytical Frameworks in your response. 


The Formal Framework – used to analyse how an artwork’s formal elements contribute to its meanings and messages.

The Personal Framework – used to shed light on how artworks can reflect an artist’s personal feelings, thinking and life circumstances and how the viewer’s interpretations are influenced by their life experiences.

The Cultural Framework – used to identify the influence on an artwork of the context of time and place in which it was made.

The Contemporary Framework – used to interpret how contemporary ideas and issues influence the making, interpretation and analysis of artworks from both the past and present.

TateShots Issue 13 - Santiago Sierra

Want more?


Santiago Sierra
http://kaldorartprojects.org.au/project-archive/santiago-sierra-2010
http://www.lissongallery.com/#/artists/santiago-sierra/cv/
http://www.lissongallery.com/#/exhibitions/2012-02-01_santiago-sierra/
http://www.santiago-sierra.com/index_1024.php
http://www.youtube.com/watch?v=jvbpWd6nheM - 8 people paid to remain inside cardboard boxes 1999
http://www.youtube.com/watch?v=a63QFTh5Hes - the Italian Peninsula devoured by pigs 2013
http://en.wikipedia.org/wiki/Santiago_Sierra
http://www.santiago-sierra.com/abrerepositorio_1024.php?id=OHU01
article: http://www.marcspiegler.com/Articles/ArtNews/ArtNews_Profile_Sierra_2003_06.pdf


Bill Henson
http://www.theaustralian.com.au/arts/visual-arts/art-chief-slams-henson-outrage/story-fn9d3avm-1226723137512
http://thedesignfiles.net/2012/10/interview-bill-henson/
http://www.bendigoartgallery.com.au/Education/Education_Resources - Bill Henson education guide
http://www.theage.com.au/news/opinion/art-or-not-its-still-exploitation/2008/05/27/1211654026964.html

Ai Wei Wei 
http://www.smithsonianmag.com/arts-culture/Is-Ai-Weiwei-Chinas-Most-Dangerous-Man-165592906.html
http://aiweiweineversorry.com/

Jonathan Hoban
http://www.dailymail.co.uk/news/article-1379780/Art-exploitation-Photographer-uses-children-enact-tragic-historical-events-9-11-angers-parenting-groups.html

Week 3 - Santiago Sierra artworks and commentaries

250cm line tattooed on six paid people 1999



Polyurethane sprayed on the backs of ten workers 2004

‘Exploitation is everywhere, especially in a city built on imperial foundations like London. It’s in the water and the coffee we drink’ – Santiago Sierra

'We as artists have to find the way we confront the state and capitalism' – Santiago Sierra

'Sierra is treading a thin line between detached conceptual criticism and complicity with the very economic exploitation and human objectification he is critiquing' - Amanda Church

'Art ceases to be art when the artist starts to cause pain to others and when the human rights of the participants are disregarded and dismissed’
‘How can anyone look up to an artist whose work is based around human exploitation and wouldn’t exist without it’ – brogananneramm Art blogger

‘It makes us think about labour and value, about what culture can do or say, and the exclusivity of the international art world, and about the emptiness of our social contracts’

 ‘The artist’s work aims to shock and risks accusations of coercion and manipulation’ – Adrian Searle The Guardian July 2004

‘…the artistic statement comments so powerfully on the beautiful and stark  contrasts in the cultural mindset of different peoples, which can allow (or force) young men such as these to permanent branding for minimal payment, and for the viewing pleasure and intellectual stimulation of educated peoples elsewhere’ – A blog curated by Haider Ackermann 


Week 2 - Introduction to Santiago Sierra

7 forms measuring 600 x 60 x 60 cm constructed to be held horizontal to a wall, 2010



Veterans of the Wars of Afghanistan, Timor Leste, Iraq and Vietnam Facing the Corner, 2013



Who is this artist and what is this artwork about?
Dropping a Han Dynasty Urn, 1995/2009; Colored Vases, 2007-2010


Week 1 - Introduction to Outcome 1: When does art become exploitation?

Wim Delvoye


Wim Delvoye, Art Farm Beijng 2003-2010, Live tattooed pigs
http://theculturetrip.com/europe/belgium/articles/wim-delvoye-tattooing-pigs-or-the-art-of-provocation/

Guillermo Vargas
Emaciated: The dog, called Nativity, was found on the streets of Nicaragua and displayed in a gallery. But was it just a publicity stunt?
http://www.dailymail.co.uk/news/article-561815/The-artist-whos-leaving-dog-starve-art.html
Bill Henson


http://charlotteblogsforuni.wordpress.com/2012/10/02/ethics-art-and-politics/

Polixeni Papapetrou
http://www.polixenipapapetrou.net/work.php?cat=Dreamchild_2003&img=4


Tuesday, 1 October 2013

Timeline

22 July


Introduction to Outcome 1: When does art become exploitation?

Answer discussion questions









Blog updated:
Add one comment and one question each week
29 July


Review discussion questions

Introduction to Santiago Sierra:
Presentation and video










Blog updated:
Add one comment and one question each week
5 August


Presentation and class discussion of artworks:
250cm line tattooed on six paid people 1999
160cm line tattooed on four people 2000
Polyurethane sprayed on the backs of ten workers 2004


Blog updated:
Add one comment and one question each week
12 August


Discussion of Analytical Frameworks

Complete worksheet










Blog updated:
Add one comment and one question each week
19 August

Informal debate:
Class split in two, each side required to argue a point of view using evidence





Blog updated:
Add one comment and one question each week
26 August

Final questions/ preparation for the test

Answer discussion questions from week 1

2 & 3 September

Test